Netflix can do no wrong, it seems. This is a film that, on the surface, I wouldn’t expect to enjoy so much. The cast is not one that I have much interest in. But I’ve never liked Adam Sandler and Ben Stiller so much as I did here. They are both excellent, good enough to keep up with Dustin Hoffman, with no-one outshining the others.
Ah, the writer/director is Noah Baumbach… That goes a long way in explaining the quality on hand.
On the front lines of the opioid epidemic, in small-town America. Powerful.
A sequel worth seeing. Not only worth seeing, but quite possibly better than the original… this is very nearly a masterpiece.
Some will say it is too long, but I think that the pacing is very deliberate, and quite necessary. It allows the viewer the time to think, to ponder the questions that are being asked, and to come to the same conclusions that K comes to. This flies in the face of most current moviemaking, and that’s fine with me.
I was reminded at one point of “Eternal Sunshine of the Spotless Mind,” when a key character talks about how memory is essential to identity. And it is the intersection of memory, DNA, robotics, and all of the ethical questions raised by those things that make this movie so interesting.
See it and think…
Cameras follow her everywhere she goes – sounds like a typical, modern documentary, right? Meant to be intimate and give you an inside look. Which is fine, except with someone like Lady Gaga, there’s very little that is not scripted, or at the very least, not very un-guarded.
She’s a genuine talent, but I can’t say I like her any more after seeing this than before.
What the fuck was that?!
Even by Aronofsky standards, that was a fucked-up fever dream… I tend to agree with those critics who say it was supposed to be a comedy. But I only laughed in the uncomfortable way that you do when you are just completely at a loss as to what to do…
Trying to remember how/why this ended up in my queue? Must’ve been the cast. Mostly forgettable although completely competent. What is this genre called, anyway? Not quite a rom-com, not fully a buddy movie, and only sort of a drama…
I don’t watch a lot of “horror” films, because they are almost always too predictable and clichéd. This one is anything but. It is very good at making the viewer feel a little bit uncomfortable, and then very slowly ratcheting that up. Until all hell breaks loose.
I did not see that ending coming…
Natalie Portman is probably too attractive for this role. But then, she nearly always is. Tough, good-looking woman with a gun, what’s not to like?
Boxing movies. Tough to make a good one. People get all excited about Clint Eastwood’s “Million Dollar Baby,” but I found it to be utterly, irredeemably cliched. And so that’s a primary danger of the subject matter. One more chance. One last fight. One more obstacle to overcome. The loss. The comeback. Redemption in the balance. Blah. Blah. Blah.
Southpaw veers in that direction, but maybe somehow manages to stay just this side of it? Or only a little over the line? It’s okay…
Terrence Malick just seems to be able to make whatever movie he wants, starring whoever he’s interested in filming, based solely on his reputation. Christian Bale is not the most intriguing guy for the lead here, in my opinion. The rest of the cast however seems just right.
Less intriguing I think than most of his earlier work. But still, unmistakably Malick.