I’ll say it again: Robert Pattinson is a decent actor. That doesn’t save this film, but it helps make it watchable. A brothers/buddy story, where one of the two needs to be taken care of, in more ways than one, but the caregiver is not always making the best choices…
Bleak and frenetic at the same time, we don’t know what is going to happen, but assume the worst. How can this end well?
Too much hype? Sure, it’s ambitious, but especially at this length, it’s a difficult story to follow, even if you come to it with some knowledge of the Jimmy Hoffa story.
And poor Al Pacino… really? You’re going to bellow your way through this role too? I’ve said it many times before, and I’m not going to stop now: One. Trick. Pony.
De Niro is better, but then, De Niro is better. While we may have seen these tics and mannerisms many times before, he at least inhabits his character, and is fun to watch.
I thought this was another movie. I thought it was Bodied, about a white guy who enters the world of battle rap. That one’s not supposed to be that great, but this movie had a workman-like quality that made it watchable. White boy in a black world of drug dealing. Kind of cardboard characters, but everyone does a good job with their parts, and it’s not boring.
I’m left wondering if this character was inspired by the dude in Oldboy…
This director has to be one of the worst documentarians on the planet. And definitely the worst narrator. And yet I managed to learn a few things from this movie. And strangely, the people that he approached for interviews and filming seemed oddly to allow him a level of access that I wouldn’t have expected. Why? How?
This is probably only for real fans of the title characters. Otherwise, just check out Notorious – much more entertaining.
Magic is so unsatisfying. When anything is possible, the screenwriter can be so lazy. Just wave a wand at it. So while the premise of an alternate society that evolved with fairies and orcs alongside humans is sort of intriguing, and makes the race relations story somewhat fresh (?), I just can’t commit my full attention to this kind of movie. I spend too much time complaining out loud…
This wants to be indy weirdness, luring you in with its awkward, schlumpy protagonist girl, teaming up with her equally nerdy neighbor (played nicely by Elijah Wood) to exact (very) bloody revenge on some methed-out local thieves who ransack her apartment.
And in fact it is. And not just for the shuriken in the face, or the buckets of vomit… but possibly because it syncs so well with the current zeitgeist of angst that so many of us are experiencing. Good timing for a movie whose message, according to the director, is “don’t be a dick.”
In an era when dash cams and citizens with cell phones record the worst kind of police brutality and abuse of power, this story may seem like a quaint piece of history, but in his day… there was police corruption, and then there was Michael Dowd. Wow. This guy was epic, with his cash grabs and protection of dealers, etc.
However, in his testimony, as well as in the filmed interviews, he comes across as a pretty stand-up guy. And the fact that he refused to implicate any other of his fellow officers raises him in my estimation. I don’t think he ever shot anybody without justifiable cause…
The first third of this was way too fast, but also pretty lame. Everyone seemed flat, and while it’s nice to see something that doesn’t go for any cheap thrills or cinematography that’s too in-your-face, this was a little lacking. All set-up, but was the payoff worth it?
Sure, the twist was a good one, and there was more energy in the middle third. But then, but then… really? We’re going to have the scene of the dudes loading their guns? Slo-mo of them walking to the car? Leaving no doubt that the movie’s going to end in a gun battle.